

Its studios and offices are located at the RMN Broadcast Center, G/F Capitol Central Hotel and Suites, N. The station is owned and operated by the Radio Mindanao Network in Cebu City, Philippines. The station first signed on the air in September 13, 1963. An absorbing and richly complex story of truth and consequences.DYHP RMN Cebu is a commercial radio station that serves the entire Cebu. The Good Mothers is transporting in its Calabrian locations and has an air of lived-in authenticity that recalls that cult-hit Italian crime saga Gomorrah (though it has little of Gomorrah’s horrific violence). Another discovery for me was Valentina Bellè as Giuseppina Pesce, the wife of an imprisoned mobster who becomes central to the case even as her life falls apart.
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Girace is just one of the women in this series burdened by fear and rage, letting their predicament dance across their faces as the prosecutors circle and the men in their lives eye them with murderous mistrust. Girace plays Denise, the daughter of a forbidding ‘Ndrangheta boss whose mother has already turned on the mob and pays a terrible price for speaking to the police. (It began streaming on Hulu earlier this month.) The biggest draw for me was the presence of Gaia Girace-an unforgettable newcomer in HBO’s My Brilliant Friend. This elegant, crisply watchable crime series-based on true events, about an effort by Italian prosecutors to bring down the Calabrian ’Ndrangheta mob through its embattled women-won an award at the Berlin film festival and was promptly purchased by Disney. It’s easy to miss a show or two in the streaming onslaught, but I’m amazed that a series as well-made as The Good Mothers has not gotten more attention. This is not escapism by any means, but a haunting, intelligent vision of European desperation.
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A rowdy sequence in the town hall where the residents’ anger is on full display took my breath away, as did the unnervingly symbolic ending. The film is patiently paced but never boring, shot against striking landscapes and heavy with accumulating dread. Matthias’s lover, Csilla, runs a local bakery that desperately needs workers and hires three immigrants from Sri Lanka-stoking the fires of xenophobia in town-and Matthias seeks to draw his son out by teaching him the rituals of violence and toughness, even as his solitary father succumbs to a brain tumor. Something in the gloomy forests of the Transylvanian countryside has terrified Rudi, and now he won’t speak, a mystery at the heart of a story that wraps up many strands of civic unease.

That’s what the brooding character Matthias has done, but an incident at a slaughterhouse in Germany sends him home to his wife and young son, Rudi. We’re in a small village in Romania, where high-paying work is scarce and most able-bodied adults travel across borders to find employment.
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Mungiu’s fascinating new film, R.M.N., is equally political, and if it doesn’t decimate you quite the way his earlier movie does, that’s because the subject here is more diffuse: nativism, an atmosphere of burrowing intolerance in Europe, and the economic anxieties driving it. I still remember Cristian Mungiu’s blunt-force 4 Months, 3 Weeks and 2 Days (2007), a harrowing Cannes-winning drama about two young women in Communist Romania who arrange and endure an illegal abortion-an indictment of limiting reproductive freedom if ever I’ve seen one. In their grief, Pedro and Bruno-now young men-build a mountain cabin in the older man’s honor. The two boys drift apart and are only reunited after Pedro’s father’s death. A fissure forms when Pedro’s father, an overworked businessman from Turin, includes Bruno in a mountaineering expedition and Pedro can’t match his young friend’s prowess. It begins in the mid-’80s, when a city boy, Pedro, is brought on holiday by his parents to a quiet Alpine village where he meets Bruno, a country kid who befriends him and takes him adventuring around the lakes and mountains. It’s a hard movie to describe, simple as it is, but as a twinned coming-of-age tale, The Eight Mountains has uncommon gravity and gorgeousness-and a moving generosity toward the two male friends at the center, played by the handsome actors Luca Marinelli and Alessandro Borghi. Filmed with what must have been extreme difficulty in a remote, high-altitude part of Italy, The Eight Mountains bewitches you with a story of two friends who form a close attachment that carries them through the confusions of adulthood.
